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Recording
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Top end monitor mix capability is now accessible to the budget conscious sound provider. The popular GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. Meet the GL2800M... affordable, capable and easy to use - without compromise, exactly right for the job.
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Top end monitor mix capability is now accessible to the budget conscious sound provider. The popular GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. Meet the GL2800M... affordable, capable and easy to use - without compromise, exactly right for the job.
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Top end monitor mix capability is now accessible to the budget conscious sound provider. The popular GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. Meet the GL2800M... affordable, capable and easy to use - without compromise, exactly right for the job.
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Use the Fink CS2-FA as two completely independent mono channels or use them together for a powerful stereo pre. The perfect solution for any studio, the CS2-FA preamp adds incredible tone to your vocals and instruments. Throw on a couple of stereo condensers for mic'ing overheads or a small choir live or in studio. Loop through it during mix down for that great real analog plug-in or link it in stereo as a Bus Processor for vocals, instruments, or percussion groups; or use it as an analog stereo Mastering Processor.
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Engineered for modern engineering techniques, every detail in this mixer has been carefully thought out to provide the very best mixing experience. For example, the mono output can be configured as LR sum, wedge, or aux-fed sub or centre master. In Monitor mode, all six auxes are available on faders with mutes, inserts, meters and XLR drive. The new 7x4 matrix with ambient mic capability opens up a huge number of mixing applications, including stereo recording, zone feeds, delay fill speakers and stereo in-ear monitor mixes.
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An artful blend of heritage and innovation, the PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW.
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